Archive for the ‘curiosities’ Category
The Etiquettes of Therapy/Religion/Business
When must we say “No!” to etiquette?
We don’t talk in elevators. Many of us avoid taking a cell phone call in a restaurant. We don’t use church language at work. And we don’t use plumbing words at church (those words that come with a pipe wrench in hand and head under a sink—according to Steve Treichler). We observe all sorts of behavior habits and patterns from day to day, all of which we call “etiquette.”
In Encountering the Sacred in Psychotherapy (Guildford Press, 2002), James and Melissa Griffith attempt to bridge a taboo of talking about God with clients in their psychotherapy practice. As you may or may not know, conversation is key therapeutic tool and Griffith and Griffith believe therapists too easily dismiss a powerful ingredient when they don’t allow for stories of how people’s faith effects whatever is the topic of therapy. The caveat is that Griffith and Griffith have opened themselves to hear all sorts of faith stories—not just those they might have considered orthodox. The two therapists tell of their own journey toward openness to the varieties of ways patients tell personal stories. By the way: let the record show that openness to hear the wide variety of things our conversation partners say is not the same as giving up on our deep-seated beliefs. We too often confuse openness with wishy-washy. Not the same.
I was initially attracted to the Griffith and Griffith book because of the details they reveal about conversations: how to help each other talk, the amazing nature of a simple conversation, and the mechanisms of speaking that prove so healing. Along the way I’ve come to realize they’ve done something substantial by breaking down a Berlin wall between problems and potential solutions (though perhaps psychotherapy practices have changed quite a bit since 2002).
Over the years I’ve found that colleagues at work will talk about all sorts of stuff in the course of a day, from money to sex to faith to the Twins to the boss to marriage and kids—plus everything else. This is to be encouraged—this flow of words is both natural and cathartic. It’s all about encouraging relationships (which are the primary source of joy for many at work) and work talk routinely breaks across walls of etiquette.
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Image credit: fredrikrattzen via 2headedsnake
Our Dream of Liberation from Every Restraint
Increasingly over the last maybe forty years, the thought has come to me that the old world in which our people lived by the work of their hands, close to weather and earth, plants and animals, was the true world; and that the new world of cheap energy and ever cheaper money honored greed, and dreams of liberation from every restraint, is mostly theater. This new world seems a jumble of scenery and props never quite believable, an economy of fantasies and moods, in which it is hard to remember either the timely world of nature or the eternal world of the prophets and poets. And I fear, I believe I know, that the doom of the older world I knew as a boy will finally afflict the new one that replaced it.
The world I knew as a boy was flawed, surely, but it was substantial and authentic. The households of my grandparents seemed to breathe forth a sense of the real costs and worth of things. Whatever came, came by somebody’s work.
From Andy Catlett, by Wendell Berry, Part III, (p. 93)
Bottledworder: Writing in spite of the daily (Shop Talk 3.1)
Words Create Something In the World
May I steer you toward a blogger I’ve recently discovered? This generous writer visited a number of obscure blogs (including Conversation is an Engine) and commented. Many of us followed back to her blog (lesson learned on growing an audience).
Bottledworder wrote Writing in spite of the daily on January 20. It’s a post that points out the concentration and isolation needed for creative writing. She also writes of how much a privilege writing is—with which I agree. Down in the meat of her essay she disparages making a living through “useful” writing:
“useful” varieties of writing where writing is the medium to achieve something else, not the end-goal.
I use “disparage” lightly and with affection, because it is clear writers of all sorts are heroes in Bottledworder’s world—and I could not agree more. Still, her comment hits at this notion I’ve been thinking and writing about: does writing/creative fulfillment come only from digging down in the isolated depths of one’s own psyche?
That still seems to me only part of the story.
And for proof I continue to point to the exercises in creativity my writing has contributed to with companies and agencies, in places where we’ve joined as a team. Maybe those team/financed experiences don’t exactly duplicate the joy of writing something pulled from the depths of my soul (and that is a primary joy of writing, no question), but a true phrase that helps a company move forward is also a beautiful thing. Plus, it helps create something real in the world.
Again—there’s so much more to say about this. Here are a few early related posts:
- The Tradeoffs in Selling Your Craft (Shop Talk #1)
- Writing with Sheet Metal (Shop Talk #2)
- Is Your Job Fulfilling? (Shop Talk #3)
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Image credit: bottledworder, confuse-a-cat via 2headedsnake
Bellicose & Belligerent: North Korea Demands Food & Attention
Escape from Camp 14
Cheery news today that North Korea will continue to test rockets that can deliver a nuclear payload to the US. Our comedians and entertainment industry joke about the over-the-top language of Kim Jong-Il/Un/Whatever—and that feels right and proper. But the predictable North Korean blustering and pattern of extorting food from the West have a new soberness for me after reading Escape from Camp 14 by Blaine Hardin. Hardin tells the story of Shin Donghyuk, who escaped after being born and raised (for 23 years) in a North Korean prison camp. The only person known to have done so.
It doesn’t take many pages into Shin’s experience as a second-generation prisoner (that’s right, his mother was jailed—part of their “Imprison three generations” policy) to see how desperate the entire nation is. The camps are living horror stories where breeding and forced labor are routinely carried out on a diet of cabbage and salt (but all the rats and bugs you can catch). Long days of field work followed by evenings of forced self-examination followed by sleep on a concrete floor. Death by beating or malnutrition is common. We’ve all seen movies like this so it sounds like fiction—but such camps and conditions have existed in North Korea “as long as Stalin’s soviet gulags and twelve times as long as the Nazi concentration camps,” at least according to the book blurb.
And it is not just the conditions of the political prisoners (and when do we start talking about “crimes against humanity” with this country?), it is an entire nation scrounging for food and held hostage by central economic planning that failed years ago, with thieves at the top. Escape from Camp 14 gives a bit of detail about the Kim Jong legacy of stripping the entire nation for personal gain–enough to turn one’s stomach.
It sounds like fiction. But I’m afraid this story is not getting any better for millions of North Koreans.
Check out North Korean Economy Watch for maps chronicling the ongoing North Korean tailspin.
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Image credit: huffington post, dailymail, the age.com.au
How I’m Writing Today: Palimpsest
Here’s your close reading.
These days nearly all these posts grow out of a much larger manuscript I’m working on. It’s as I were on a teeter-totter: falling with the gravitas of this larger work but then buoyed by the thought of breaking my indulgent thoughts and sentences into smaller pieces and stripping away language. Or this: pushing forward with the larger more difficult manuscript opens windows and doors in passing that frame tantalizing ideas that turn into posts.
Someone I recently read mentioned the notion of a palimpsest: an old manuscript that was erased and rewritten, because the parchment itself was valuable and endured. Modern techniques have allowed for the reading of the words that were erased.
Maybe the palimpsest is not that different with how we are with each other: our rewritten and redacted conversations help catalyze thoughts, actions and intentions with each other. Completely tangential words have the capacity to present a new and quite fruitful direction. Or waste lots of time.
Diversions present. I give chase. It’s neither a tidy nor effectual way of writing. And yet, the result is a fortuitous amount of blasting that clears away the surface…crap…and bores down toward the issue. Sometimes.
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Image credit: gifmovie via 2headedsnake
Mind Your Obits
This Week’s Hero: Wallace Allen (1919-2012)
The things you learn from obituaries:
Mr. Wallace Allen had been a long-lasting editor at the StarTribune (three decades) and passed away in December. During his tenure he led the way to “make the paper more accessible to readers.” He seemed to have a focus on words and design, and employed both in his passionate understanding of what a newspaper could accomplish in our culture. At 93, he continued to read the New York Times and the StarTribune daily.
Two bits from Tuesday’s Obituary stand out:
- Though he suffered various ailments, he had been able to get around with a walker. On that walker he had this bumper sticker: “Free press. Free speech. Free country.”
- And even after decades of editing he continued to edit and write in retirement. Notably, in one of his last assignments editing a newsletter at his assisted living home in Honolulu, he urged his volunteer staff to “to investigate actions by the home’s management.”
So—a commitment to finding and telling truth all the way through.
That is remarkable.
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Writing with Sheet Metal (ShopTalk #2)
The Pull of the Factory Floor
As a copywriter I spend my days in front of a pair of computer screens. Writing. Yes, I have meetings with clients and colleagues, brainstorming sessions and updates and phone calls. But mostly I remain planted before my computer, sorting through masses of information, ordering data that came with competing priorities and generally figuring out new ways to present the right facts to the right people in a way that causes a reaction.
Then there are days I visit a particular client’s factory. It’s a factory with a whistle that blows, union members who take 15-minute breaks, safety glasses and focused workers at benches doing macro and micro tasks. It’s a factory that stamps and welds metal, where electricians wire metal carcasses as long and tall as a semi-trailer. This factory is lit so everything is visible and produces a hum of activity across the concrete floor, which is the size of several football fields.
Why give so much detail? Because many who read this—myself included—spend our days in offices. But a factory floor is a different sort of place—a different world, with a different set of priorities and where production is king but craft sits near the throne.
I like this factory floor because it is different from an operating room, different from a cath lab, different from a conference room during an endless PowerPoint presentation, different from a row of cubicles and different from the Livingston Communication Tower (high over St. Paul). There is an irresistible, energizing activity on this factory floor that flows out of the scores of workers. But maybe that energy also comes from my past, because I grew up watching my dad craft furniture from oak and walnut. Maybe that’s where I absorbed the notion that producing a solid piece someone might actually use is a great way to spend your time and a fulfilling thing to do.
In this ongoing discussion of what makes for fulfilling work, I want to trace fulfillment down a different thread. This thread places the writer in a team with a goal of productivity. The writer and the team are focused on this goal of shipping something real and substantial. At the same time this team is also sort of doing life together—because in the middle of work there are the discussions about the rest of life. For a writer, this team-ness is a different way of spending the day and not to be missed.
Don’t take this as a romantic view of factory work. Instead, see it as the reality of the life situations where your craft takes you to meet a need.
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Image credit: Yael Frankel via 2headedsnake
Wendell Berry’s Jayber Crow: Christ Came to Found an Unorganized Religion
I am, maybe, the ultimate Protestant, the man at the end of the Protestant road, for as I have read the Gospels over the years, the belief has grown in me that Christ did not come to found an organized religion but came instead to found an unorganized one. He seems to have come to carry religion out of the temple into the fields and sheep pastures, onto the roadsides and the banks of rivers, into the houses of sinners and publicans, into the town and the wilderness, toward the membership of all that is here.
Well, you can read and see what you think.
(Jayber Crow, Chapter 29)
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