Posts Tagged ‘marketing communication’
Do a Dumb Sketch Today
Magnetize Eyeballs with Your Dumb Sketch
As a copywriter, I’ve always prefaced my art or design-related comments with, “I’m no designer, but….” I read a number of design blogs because the discipline fascinates me and I hope for a happy marriage between my words and their graphical setting as they set off into the world.
But artists and designers don’t own art. And I’m starting to wonder why I accede such authority to experts. Mind you, I’m no expert, but just like in the best, most engaged conversations, something sorta magical happens in a dumb sketch. Sometimes words shivering alone on a white page just don’t cut it. Especially when they gang up in dozens and scores and crowd onto a PowerPoint slide in an attempt to muscle their way into a client’s or colleague’s consciousness. Sometimes my words lack immediacy. Sometimes they don’t punch people in the gut like I want them to.
A dumb sketch can do what words cannot.
I’ve come to enjoy sketching lately. Not because I’m a good artist (I’m not). Not because I have a knack for capturing things on paper. I don’t. I like sketching for two reasons:
- Drawing a sketch uses an entirely different part of my brain. Or so it seems. The blank page with a pencil and an idea of a drawing is very different from a blank page and an idea soon to be fitted with a set of words. Sketching seems inherently more fun than writing (remember, I write for a living, so I’m completely in love with words, too). Sketching feels like playing. That sense of play has a way of working itself out—even for as bad an artist as I am. It’s that sense of play that brings along the second reason to sketch.
- Sketches are unparalleled communication tools. It’s true. Talking about a picture with someone is far more interesting than sitting and watching someone read a sentence. Which is boring. Even a very bad sketch, presented to a table of colleagues or clients, can make people laugh and so serve to lighten the mood. Even the worst sketches carry an emotional tinge. People love to see sketches. Even obstinate, ornery colleagues are drawn into the intent of the sketch, so much so that their minds begin filling in the blanks (without them realizing!) and so are drawn into what was supposed to happen with the drawing. The mind cannot help but fill in the blanks.

The best part of a dumb sketch is what happens when it is shown to a group. In a recent client meeting I pulled out my dumb sketches to make a particular point about how this product should be positioned in the market. I could not quite hear it, but I had the sense of a collective sigh around the conference table as they saw pictures rather than yet another wordy PowerPoint slide. In fact, contrary to the forced attention a wordy PowerPoint slide demands, my sketch pulled people in with a magnetism. Even though ugly, it still pulled. Amazing.
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What Didn’t You See Today?
Giant Metal Men Matter
Have you noticed the gigantic metal men standing in your neighborhood? One’s over there, just above the tree line. Enormous and sinister. Sort of hulking at around 100 ft. tall. What’s that–you’ve not noticed it? How could you miss it, standing there in the wide open? Your kids saw it and have already made up stories about it: why it’s there and how it could reach down and grab anybody at any moment so let’s not spend too much time beneath it.
Electrical pylons are just one of the things we miss as we walk or drive around our city. They only become visible when someone shows you. Then you see them. Your eyes probably registered the shape and presence, but somehow the tall tower did not enter your consciousness. You needed someone to point it out—not that you particularly care about pylons. Same with people: do we even notice the janitor cleaning the corridor at the airport or the clerk at the grocery store? We are trained to have these people blend into the background, just like the pylons. Just like the homeless guy at the stop light on Hennepin and Lyndale. It makes our life easier—less to deal with—when we don’t see these things or people.
How much we are missing when we tune out stuff we don’t want to deal with?
One of my clients is trying to help a particular set of physicians tune in to a class of patients that are largely unstudied. These patients present with certain features in their heart that routinely exclude them from pharmaceutical and other clinical trials. The conventional wisdom is that the outcomes would be significantly worse if these patients were included. So they aren’t. It’s a kind of research Catch-22.
My challenge this week is how to help these physicians see these patients. These patients cannot be treated until they are seen. Which is true for all the invisible stuff in our lives: we can’t deal with it as long as it is out of sight.
More on pylon appreciation: Alain de Botton from The Pleasures and Sorrows of Work.
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Oh to be an Introspective French Firm.
On Tuesday the head of France’s national railroad apologized for trundling 20,000 Jews to Nazi camps in 1943-1944, as reported by the NYTimes and carried locally by the StarTribune. US Lawmakers, survivors and descendants had moved to block SNCF from winning US contracts had the company not acknowledge their role. The official word from the firm said the apology was part of “the company’s longtime effort to examine its past and denied that it was prompted by the company’s U.S. ambitions.”
There are at least three striking things about this story.
One: It defies logic to disconnect the company apology from looming loss of revenue from possible US contracts. To insist otherwise cheapens their communication. One clearly connects with the other.
Two: Applying economic pressure to force a company to tell the truth about their role in administering a great evil is a marvelous use of our capitalist instincts. There is a fair amount of both optimism and boldness in this move, especially since official spokespeople nearly always sidestep words that link their brand with anything other than blue sky, sunshine and happy smiling faces. Bravo, lawmakers, survivors and descendants!
Third: To think that a company has a “longtime effort to examine its past” strikes me as, also, beyond belief. Companies incorporate for economic muscle. They organize to move forward, they look for opportunity, hone in and exploit. Companies make money. Companies don’t sit at an outdoor café examining past failings. I’m hard-pressed to think of any introspective executive who would free a budget line item for “Company Introspection.” Please, please let there be such a leader in this world. But maybe French companies have a soul?
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Sometimes a Conversation is an Image
We Act Out What We Cannot Say
There are moments when we are open to listening. These moments may indicate we are open to change as well. People have been telling me their stories about conversations that changed their lives. Sometimes an inconsequential conversation at an inconsequential time can make all the difference in the world.
Louise Bell tells of a moment, not exactly a conversation but an image, that changed her life. Years ago her African-American grandparents had been murdered in the most gruesome way over an act of mercy on their part. Justice had not been accomplished in their murder and the wound was deep. It was when Louise mother died, after moving back to the south with an interest in reconciliation, that this moment occurred.
Listen to the December 30 edition of The Story over at American Public Media. It’s in the second half of the show.
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