Dustin O’Holloran & Wes Anderson & You
Art: To stop. To stare. To listen.
In the debate over art versus commerce (or fulfillment versus earning a paycheck), let me point out two bits of commerce guided by artists. Eric Harry Dustin O’Holloran wrote the score for this tourism commercial for Newfoundland & Labrador. The pacing of music and scene, from the first moments, present a different, irresistible world. I posted this commercial about a year again and have revisited it many times because it truly is a mini-vacation. The copy in the commercial is a let-down and a distraction: it’s expected and detracts from the persuasive work already accomplished by the score and visuals.
I’m a fan of Wes Anderson movies. Even his commercials are full of entertaining detail (Ad Age published a list of his great spots here). Here’s the famous American Express commercial, and then the Softbank commercial with Brad Pitt, which is itself an homage to another period of film-making. But it’s this Hyundai commercial that is chock full of detail in every frame. Anderson is known for his devotion to art direction and this commercial bears frame-by-frame examination to see the humor layered in: the kid in the cupboard. The kid in the white lab coat. The kid costumed for a Greek tragedy. I’m still puzzling over the dozens of robots that show up everywhere. I’m not sure this commercial sells cars, but it certainly fixed the carmakers name in my mind for a time.
If art is an invitation to reconsider what the world looks like, then Dustin O’Holloran and Wes Anderson have achieved art and were paid for it. Art is not about getting paid. But getting paid is not the worst thing in the world.
Check out this vimeo of Dustin O’Holloran inviting an audience to visit a different place, but without the pretty Newfoundland & Labrador visuals.
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But wait--what do you think? Tell me: