Best Case: Stable Health + Quick Decline + Death
Reading Atul Gawande’s “Being Mortal”
Mr. Gawande is a surgeon and medical professor and writer for The New Yorker. His recent Being Mortal is a long conversation about how humans face death. Or, more to the point, how medicine and our own optimism interact to keep us from planning for this known, finite end.
This is not something you think about at 18 or 28. But it is a wedge topic that soon starts to butt into life. At some point you notice aging people appearing all around you. And then you do the math and start to think you may be aging as well—though we’re all hard pressed to say where the time has gone. Like a favorite, recently-passed in-law said not so long ago, “In my mind, I’m still 18.” No one agrees to aging and few self-select as “old.”
Still, there is this inevitable endpoint.
Mr. Gawande’s book does the reader a favor by naming the moving parts of this process. That is, the slower and slower moving parts. From the shrinkage of the brain to why it is that older people seem to choke more to the insult of not driving to the big fear of dementia. One of my favorite characters in the book is the groundbreaking geriatric physician/researcher who was active until he, well, became old. And then, in a clear-eyed fashion, detailed his decline, his motivations with caring for his wife of 70 years who became blind then deaf, and then broke her ankles. It’s a happy/sad love story of a couple who were active into their 90s.
As a believer in the God who resurrects, I do not think of death as final. But as aging continues (which I don’t feel but suppose is acting on me even now), my reading of the gospels and prophets and psalms finds me looking for clues that point beyond what medicine says and beyond what my own senses say. I find a good bit of hope in what I read.
Wendell Berry explored this topic with extraordinary care. His The Memory of Old Jack is a solid antidote to our collective denial.
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Image credit: Atul Gawande, Kirk Livingston
Judge Not: On Moralistic Judgments
#That’sJustTooHard: Think Before Speaking
One kind of life-alienating communication is the use of moralistic judgments that imply wrongness or badness on the part of people who don’t act in harmony with our values. Such judgments are reflected in language such as, “The problem with you is that you’re too selfish.” “She’s lazy.” “Their prejudiced.” “It’s inappropriate.” Blame, insults, put-downs, labels, criticism, comparisons, and diagnoses are all forms of judgment.
–Marshall B. Rosenberg, Nonviolent Communication (Encinitas, CA: PuddleDancer Press, 2005) 16
Which is not to say we do not have values and make judgments based on our values. Of course we do. But what if held back our knee-jerk spew of moralistic judgment about someone we’ve never met? What if we first talked with them?
A conversation could show us how wrong we were—or confirm our suspicions.
But…hear first.*
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*Of course I am pointing to my own failure at this before pointing anywhere else.
Image Credit: Kirk Livingston
A Disabling Fiction About Writing
Writing is Embedded
The fiction about writing is that it takes place in a special compartment, sealed off from everyday concerns. In part that is true, the best writers gain access to deep, hidden wells that supply the fodder for their process. Working writers locate those deep places regularly, whether or not their muse shows. In fact, it is typically the gears churning through the regular process that conjures whatever muse actually exists.
But more to the point, rather than being cut off and hidden away, the embedded writer pulls from experience—past, present and future—to load content into an emotional grid, commonly called a story.
I find myself writing lots of stories lately. My own short fiction, yes, and that is great fun. But also for clients with something to say. And these clients hope to release their content on a larger scale than what their marketing monologues have afforded. They hope to release their messages to a wider audience, which means making a coherent story that might interest others.
Even writing for clients—especially writing for clients—involves locating that deep well. It turns out that deep, special compartment is permeable in some way that lets real life flow through and collect into something meaningful at the other end.
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Dumb Sketch: Kirk Livingston







