Posts Tagged ‘photography’
Steven Woodward: Dictionary, 2005
How did you think of that?
Apart from [extensive world] traveling and reading, the majority of my adult life has been spent alone in a very larger room, imagining what I wanted to see and how to create it.
Read more about sculptor Steven Woodward here and the James J. Hill House Gallery here.
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Image credit: Kirk Livingston
Mind-reading and the Perfectionist’s Dilemma
“Come here, you big, beautiful rough draft.”
You know what needs to be done.
You know how to do it.
But—given your schedule—you simply cannot attend the details. What you want is to jump to editing the rough draft—but who’s got time to create that rough draft?
We could be talking about drafting an email, an article or a chapter. We could be talking about a curriculum for a class or a seminar. We could be talking about writing a memo to employees or a letter to partners or a speech to stakeholders—anything that requires focused attention for a time so you can spin out and organize the details. We’re talking about anything you need to create from scratch to deliver to others. Any communication that solves a problem you’ve noticed.
Now is when you need an assistant who can move forward without hand-holding. Now is when you need someone who knows what you know without you telling them. Now is when you need a mind-reader.
But there are no mind-readers.
Are there no mind-readers?
I won’t say copywriters are mind-readers. I will say I find myself in situations every week where my client has provided 15-25% of the details but expects our project to organize 100% of the content in a coherent, compelling fashion.
Sometimes I wonder if our close friends, colleagues and collaborators serve as near-mind-readers. With them we feel free to spit out the raw bits of what we know. And as we say it, we realize what we need to do next. To tell someone what is on our mind is the first step to accomplishing a task. Those conversations are a kind of verbal rough draft.
Don’t be intimidated by the blank page. Embrace the notion of doing something mostly wrong and partly right, which is to say, embrace the rough draft.
It is much easier to change words on a page than it is to put words on a page.
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Image credit: Kirk Livingston
Could Your Organization Grow Your Spirit?
LEED-like certification for human-spirit-sustainable workplaces
LEED certification is a rating system that recognizes a building’s sustainability. LEED or Leadership in Energy and Environmental Design, rates a new building project using five different categories:
- Site location
- Water conservation
- Energy efficiency
- Materials
- Indoor air quality
Businesses and organizations with the highest ratings display them as a sort of badge of honor for the public to see.
What if there were some system to measure and rate the culture within a company or organization? Since we worry about bullying at school and we’re starting to recognize bullies in the office and toxic corporate cultures, does it make sense to start thinking about organizations that sustain people rather than beat them?
For instance, what if any organization was judged by these four categories:
- Bias toward collaboration
- Employee engagement indicators
- Mix of top-down messaging with true conversation
- Ratio of CEO-pay to rank-and-file pay
Seem ridiculous?
It would be difficult to measure many of these, especially since most of the categories seem so subjective. And yet, would it be impossible to measure? Would it be worthwhile to measure? Are we already moving in that direction?
In Minneapolis/St. Paul—like any set of cities—insider talk has long identified those cut-throat corporate and institutional cultures that routinely toss human capital to the side. Insider talk also identifies those bosses, managers and C-suite people without empathy and/or ethical moorings. New employees are generally forewarned when they sign up.
Of course, business is still about earning a living for the people involved even as the organization serves some human need. So don’t think I’m championing some communistic collective. Profits will and must be made to help society move forward.
But as we move toward fuller employment, workers will become more choosy about where they spend their days. And those cultures that have a less sustainable ethos will not be the winners.
I’m not convinced I’ve identified the right categories to measure. What categories would you include?
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Image credit: Kirk Livingston
Danny Santos II: Shooting Strangers
People in Place in Space
Check out the work of Danny Santos II, a street photographer in Singapore. He creates composite images of people moving through locations in and around Singapore.
In each place, I set up my camera & tripod right in the middle of the street, then stand a few feet away with my remote trigger, clicking away for about 30 minutes to an hour.
Composites are digital images made of multiple photographs taken from the same spot. These photographs are then combined using photoshop, and with a little extra care, these shots can stitched together seamlessly to look like one single photograph.
It’s all real. It’s just not all real at the same time.
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How To Talk Like Superman
Please, put the cape away.
Not so much the cartoon character, but think of the raconteur who magnetizes with stories and wit and rhythm. Or think of the person you go to when trying to sort some thorny issue. These are the people you find entertaining or interesting at least partly because they listen to you. And partly because you hear something useful from them.
That’s how to talk like superman: listen closely to what someone is saying and then respond with stories and probing questions that drill down a bit—staying focused on what you heard. To the person you are talking with, you just may be summoning superpowers. That’s because we never know when a casual word may be the linchpin that connects two or three sets of thoughts that set a life in motion.
We all have stories like this: the guy we talked with casually at the end of a club meeting mentioned a guy to talk with at the company we were interested in. We talk with that guy and he mentions someone else in the company…and then you find yourself in the company. Your online application and discussions with HR led nowhere, but a few conversations with the right people and you are in.
David Rock’s Quiet Leadership offers solid pointers about gathering the superpower of helping others learn what they already know. He shows how to help people make connections.
Please use your superpowers for good today.
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Image credit: Kirk Livingston
Melted Crayons: What Writing Collaboration Looks Like
Not yours. Not mine. But a new thing created between us.
Years ago we took our kids on the consumerist hajj to Florida’s Disney. We’re more national park vacationers but we resolved to make the best of it. So we battled through the hucksters and scam artists on every corner in Orlando and made our way to the magic kingdom.
It was…ok.
Some of our kids were scared of the rides. Some were thrilled at points. Others (including parents) grew weary of the constant stimulation. I would not be a good spokesperson for Disney.
The most memorable part of the trip was post-Disney, on a drive through the orange groves. At one point we left the rental car for not too long a time to see some Florida oddity. We came back and found crayons melted on the back seat. It gets hot in a Minnesota summer, but I don’t recall crayon-melting hot.
Melted crayons are not any one color. They are a new color that has no name.
Recent writing collaborations got me thinking about those crayons again. Some of my favorite clients invite me into the process by explaining what they want to accomplish with their target audience. They outline the main messages but do not hold those main messages too tightly. They point out the content and invite me to organize and hone the argument so it makes sense. They invite me to retell the main messages. When I come back to my client with something they can react to, we talk and the work gets better and more solid.
The thing is, what we create is not totally mine and not totally theirs. It’s a melted melding of motifs, which we continue to sharpen and fit to the purpose.
It’s a process I enjoy very much.
And it’s a process that is not that much different from our best conversations, where we generate some surprising new thing between us, beyond what either of us set out to say. A sort of intentional, verbal, melting of crayons right before our eyes.
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Image credit: Kirk Livingston












