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Posts Tagged ‘photography

Steven Woodward: Dictionary, 2005

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How did you think of that?

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Apart from [extensive world] traveling and reading, the majority of my adult life has been spent alone in a very larger room, imagining what I wanted to see and how to create it.

 

Read more about sculptor Steven Woodward here and the James J. Hill House Gallery here.

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Image credit: Kirk Livingston

Written by kirkistan

August 21, 2014 at 5:00 am

When Walking To The Podium, Remember This.

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Resolved: “You are gonna dig this.”

No one will argue that public speaking is petrifying. On this we all agree. Even seasoned performers routinely get the nerves before they walk on stage. In my limited experience, the one thought that calms nerves and spurs me forward is that something I’m about to say will help someone.

Next?

Next?

This occurred to me recently in working out the details for launching ListenTalk. Someone suggested a party and my first reaction was, “Ugh—I hate being the center of attention. No thanks.” But on reflection I found myself at a decision point: do I want to give my best effort toward helping this book succeed or will I follow natural impulses and just drop the published book off on Amazon’s front steps, ring the doorbell and run. Because if I do the latter, I am guaranteeing a narrow audience.

On further reflection, and perhaps with a bit of divine intervention, I realized the message of ListenTalk is much more about this hope I’m starting to entertain: that readers will begin to happily engage in and explore their own daily conversations with something of a treasure-hunter’s gusto. That’s the good thing I want readers to understand. That’s the thing people are gonna dig—once they get it.

So, for those about to engage in public speaking, or for those looking for motivation to move forward with some public task, ask yourself: How am I helping the person I’m about to engage?

It’s always good to refocus on the other person.

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Image credit: Kirk Livingston

Written by kirkistan

August 20, 2014 at 9:38 am

Mind-reading and the Perfectionist’s Dilemma

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“Come here, you big, beautiful rough draft.”

You know what needs to be done.

You know how to do it.

But—given your schedule—you simply cannot attend the details. What you want is to jump to editing the rough draft—but who’s got time to create that rough draft?

This is what I'm thinking....

This is what I’m thinking….

We could be talking about drafting an email, an article or a chapter. We could be talking about a curriculum for a class or a seminar. We could be talking about writing a memo to employees or a letter to partners or a speech to stakeholders—anything that requires focused attention for a time so you can spin out and organize the details. We’re talking about anything you need to create from scratch to deliver to others. Any communication that solves a problem you’ve noticed.

Now is when you need an assistant who can move forward without hand-holding. Now is when you need someone who knows what you know without you telling them. Now is when you need a mind-reader.

But there are no mind-readers.

Are there no mind-readers?

I won’t say copywriters are mind-readers. I will say I find myself in situations every week where my client has provided 15-25% of the details but expects our project to organize 100% of the content in a coherent, compelling fashion.

Sometimes I wonder if our close friends, colleagues and collaborators serve as near-mind-readers. With them we feel free to spit out the raw bits of what we know. And as we say it, we realize what we need to do next. To tell someone what is on our mind is the first step to accomplishing a task. Those conversations are a kind of verbal rough draft.

Don’t be intimidated by the blank page. Embrace the notion of doing something mostly wrong and partly right, which is to say, embrace the rough draft.

It is much easier to change words on a page than it is to put words on a page.

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Image credit: Kirk Livingston

Could Your Organization Grow Your Spirit?

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LEED-like certification for human-spirit-sustainable workplaces

LEED certification is a rating system that recognizes a building’s sustainability. LEED or Leadership in Energy and Environmental Design, rates a new building project using five different categories:

  1. Site location
  2. Water conservation
  3. Energy efficiency
  4. Materials
  5. Indoor air quality

Businesses and organizations with the highest ratings display them as a sort of badge of honor for the public to see.

What if there were some system to measure and rate the culture within a company or organization? Since we worry about bullying at school and we’re starting to recognize bullies in the office and toxic corporate cultures, does it make sense to start thinking about organizations that sustain people rather than beat them?

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For instance, what if any organization was judged by these four categories:

  1. Bias toward collaboration
  2. Employee engagement indicators
  3. Mix of top-down messaging with true conversation
  4. Ratio of CEO-pay to rank-and-file pay

Seem ridiculous?

It would be difficult to measure many of these, especially since most of the categories seem so subjective. And yet, would it be impossible to measure? Would it be worthwhile to measure? Are we already moving in that direction?

In Minneapolis/St. Paul—like any set of cities—insider talk has long identified those cut-throat corporate and institutional cultures that routinely toss human capital to the side. Insider talk also identifies those bosses, managers and C-suite people without empathy and/or ethical moorings. New employees are generally forewarned when they sign up.

Of course, business is still about earning a living for the people involved even as the organization serves some human need. So don’t think I’m championing some communistic collective. Profits will and must be made to help society move forward.

But as we move toward fuller employment, workers will become more choosy about where they spend their days. And those cultures that have a less sustainable ethos will not be the winners.

I’m not convinced I’ve identified the right categories to measure. What categories would you include?

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Image credit: Kirk Livingston

Danny Santos II: Shooting Strangers

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People in Place in Space

Check out the work of Danny Santos II, a street photographer in Singapore. He creates composite images  of people moving through locations in and around Singapore.

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In each place, I set up my camera & tripod right in the middle of the street, then stand a few feet away with my remote trigger, clicking away for about 30 minutes to an hour.

Composites are digital images made of multiple photographs taken from the same spot. These photographs are then combined using photoshop, and with a little extra care, these shots can stitched together seamlessly to look like one single photograph.

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It’s all real. It’s just not all real at the same time.

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Via thisisn’thappiness

 

 

Written by kirkistan

August 14, 2014 at 8:26 am

How To Talk Like Superman

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Please, put the cape away.

Not so much the cartoon character, but think of the raconteur who magnetizes with stories and wit and rhythm. Or think of the person you go to when trying to sort some thorny issue. These are the people you find entertaining or interesting at least partly because they listen to you. And partly because you hear something useful from them.

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That’s how to talk like superman: listen closely to what someone is saying and then respond with stories and probing questions that drill down a bit—staying focused on what you heard. To the person you are talking with, you just may be summoning superpowers. That’s because we never know when a casual word may be the linchpin that connects two or three sets of thoughts that set a life in motion.

We all have stories like this: the guy we talked with casually at the end of a club meeting mentioned a guy to talk with at the company we were interested in. We talk with that guy and he mentions someone else in the company…and then you find yourself in the company. Your online application and discussions with HR led nowhere, but a few conversations with the right people and you are in.
David Rock’s Quiet Leadership offers solid pointers about gathering the superpower of helping others learn what they already know. He shows how to help people make connections.

Please use your superpowers for good today.
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Image credit: Kirk Livingston

Written by kirkistan

August 13, 2014 at 11:05 am

Wendell Barry: “A Little Nagging of Dread”

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Your first bond with your wilderness

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Always in the big woods when you leave familiar ground and step off alone into a new place there will be, along with the feelings of curiosity and excitement, a little nagging of dread. It is the ancient fear of the Unknown, and it is your first bond with the wilderness you are going into.

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Image credit: Kirk Livingston

Quote via The Way of Improvement Leads Home/Relevant Magazine

Written by kirkistan

August 12, 2014 at 8:13 am

Where does loyalty come from?

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Gift Economy and Loyalty Programs

This is a tale about where loyalty comes from. It involves making a garbage man very sad.

The second home we purchased was left with all sorts of furniture by the previous owners. We called them and put the furniture in the yard. But they never returned and their furniture sat in our new yard for too long. Rain and sun and more rain—these people never came.

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But Ace Solid Waste came. And they took it all for free. And they won our loyalty. Is this a commercial for Ace Solid Waste? Maybe, although I am not employed or directed or in any communication with Ace Solid Waste. In fact, I pay them. On time (mostly).

Their gift of removal (you might say Ace blessed us with the absence of a soggy couch and other wet furniture), is easily and quickly remembered by Mrs. Kirkistan and I, still, to this day.

In The Gift (NY: Vintage Books, 1983), Lewis Hyde described how a gift economy works: people give gifts to each other as a sort of payment. But not in the transactional way most of us expect today. One gift was not given in exchange for another gift. No, Hyde described how gifts move on. Or, you might say, moved forward. The gift you gave me, I gave to someone else, and so on in an endless cycle of giving. In the gift economies Hyde cited, trade was greased by gifts.

Of course, gifts carry with them an obligation: a sort of unwritten sense that I must pay this back, or “I owe you one.” Gifts also carry a sense of relationship. We give gifts to friends or relatives. It is a way of saying, “Hey buddy!” or “I’m thinking about you.”

One long-time strategy for business is to give gifts to woo loyalty. I buy plumbing supplies at Beisswengers because they are patient with my simplistic plumbing questions. They provide answers along with the new drain. The answers are even more valuable than the drain. All sorts of free apps become so indispensable we finally buy them. We frequent the vendor who gives away their knowledge.

A competing garbage gentleman stopped at our door with an offer of savings. When I said I wasn’t interested, he probed:

Why?

I told him my story of the furniture that wouldn’t go away and how Ace helped us out.

Will you be in debt to Ace for the rest of your life?

And here is the surprise: as I listened to my own words, I wondered at the strength of the feeling and the depth of loyalty for this good deed done to us—and the longevity. Maybe our retelling of our furniture story kept giving fresh reasons to continue.

Maybe.

And so the man of seeming excellent garbage-manship walked away sadly.

So that’s one way to build loyalty: help someone with a need. And as you help, try not to see the gift as a transaction.

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Image credit: Kirk Livingston

Irish Fair: This Pipe. That Outfit.

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Written by kirkistan

August 10, 2014 at 7:35 am

Melted Crayons: What Writing Collaboration Looks Like

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Not yours. Not mine. But a new thing created between us.

Years ago we took our kids on the consumerist hajj to Florida’s Disney. We’re more national park vacationers but we resolved to make the best of it. So we battled through the hucksters and scam artists on every corner in Orlando and made our way to the magic kingdom.

It was…ok.

Some of our kids were scared of the rides. Some were thrilled at points. Others (including parents) grew weary of the constant stimulation. I would not be a good spokesperson for Disney.

The most memorable part of the trip was post-Disney, on a drive through the orange groves. At one point we left the rental car for not too long a time to see some Florida oddity. We came back and found crayons melted on the back seat. It gets hot in a Minnesota summer, but I don’t recall crayon-melting hot.

Turn up the heat.

Turn up the heat.

Melted crayons are not any one color. They are a new color that has no name.

Recent writing collaborations got me thinking about those crayons again. Some of my favorite clients invite me into the process by explaining what they want to accomplish with their target audience. They outline the main messages but do not hold those main messages too tightly. They point out the content and invite me to organize and hone the argument so it makes sense. They invite me to retell the main messages. When I come back to my client with something they can react to, we talk and the work gets better and more solid.

The thing is, what we create is not totally mine and not totally theirs. It’s a melted melding of motifs, which we continue to sharpen and fit to the purpose.

It’s a process I enjoy very much.

And it’s a process that is not that much different from our best conversations, where we generate some surprising new thing between us, beyond what either of us set out to say. A sort of intentional, verbal, melting of crayons right before our eyes.

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Image credit: Kirk Livingston