Posts Tagged ‘Writing for Community’
Fear as a Communication Tool: Hearty and Cruel Visuals
The Truth in Consequences
Today in class we talk about visuals and how to use them. Graphs, charts, line drawings, photographs—all the stuff we see every day in our media excursions. As a copywriter I am very fond of visuals: I love the way they succinctly tell the story I labor to explain with words.
But there is a genre of images we shy away from—images entirely out of sync with the pleasant, positive, climate-controlled and safe communication we aim for. These images follow the shock and awe tactics of the Brothers Grimm: show what happens when you don’t follow our rules. Things just may not turn out so well, Mister.
You don’t need to know Russian to see that you really should be careful around turning axles, backing train cars and the odd drill press. And it was not so long ago in our country that we showed our youngsters exactly what might happen with their lively hijinks.
But maybe we’ve gone too far with our de-linking of action and consequence. When writing copy I rarely name the negative side of things. Instead, I always build on the positive. Maybe we could all use a bit of that Russian backbone.
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Image Credit: Soviet Posters via Copyranter. Vintage safety manual via Retronaut.
Extreme Listening in a Congregation: Framing a Question and Listening for the Reply
Once upon a time a church had outgrown their facility and the leaders wanted to raise money to build. So they thought of a campaign and called it “Hearing from God.” In the campaign they asked members to pray about how they should give and then pledge toward the amount they heard. After several months of praying, along with weekly stories from the pulpit of people who prayed, heard and decided to give generously, the final day came when all the pledges were in. But the pledges did not cover the costs of the new building—not even close.
Did the “Hearing from God” campaign succeed as a marketing tool? Yes. The campaign focused congregational interest by tying growth plans with the expectation that this was God’s vision and God’s work. This tactic is nothing new to the human condition, whether we’re talking about starting a war, running for office, providing jet fuel for the pastor’s personal jet or gassing-up any other part of the church growth business The campaign worked exactly as planned: it helped elicit pledges from the congregation, pledges over and above typical giving.
Did the “Hearing from God” campaign succeed as a moment of corporate listening? No. And massively so. The congregation was asking “Should we?” while the leaders were asking “How much?” The end of the campaign revealed how different the two questions were, as leaders refused to revisit the what they actually heard from God. Instead they pushed the project forward, despite the seemingly obvious conclusions.
The multi-million dollar project moved ahead, but the twist on hearing and resultant lack of listening initiated a corrosive set of questions about leadership. Subsequent decisions about firing and hiring supported the growing congregational awareness that the entire church entity had been hijacked by a set of leaders pursuing private dreams. “Hearing from God” became a shorthand joke among the congregation for whatever current project leadership was pursuing. Over the course of the next two years, thirty-three to fifty percent of the long-term members leaked out the back door.
What does it cost to avoid hearing?
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Image credit: x-planes
Do a Dumb Sketch Today
Magnetize Eyeballs with Your Dumb Sketch
As a copywriter, I’ve always prefaced my art or design-related comments with, “I’m no designer, but….” I read a number of design blogs because the discipline fascinates me and I hope for a happy marriage between my words and their graphical setting as they set off into the world.
But artists and designers don’t own art. And I’m starting to wonder why I accede such authority to experts. Mind you, I’m no expert, but just like in the best, most engaged conversations, something sorta magical happens in a dumb sketch. Sometimes words shivering alone on a white page just don’t cut it. Especially when they gang up in dozens and scores and crowd onto a PowerPoint slide in an attempt to muscle their way into a client’s or colleague’s consciousness. Sometimes my words lack immediacy. Sometimes they don’t punch people in the gut like I want them to.
A dumb sketch can do what words cannot.
I’ve come to enjoy sketching lately. Not because I’m a good artist (I’m not). Not because I have a knack for capturing things on paper. I don’t. I like sketching for two reasons:
- Drawing a sketch uses an entirely different part of my brain. Or so it seems. The blank page with a pencil and an idea of a drawing is very different from a blank page and an idea soon to be fitted with a set of words. Sketching seems inherently more fun than writing (remember, I write for a living, so I’m completely in love with words, too). Sketching feels like playing. That sense of play has a way of working itself out—even for as bad an artist as I am. It’s that sense of play that brings along the second reason to sketch.
- Sketches are unparalleled communication tools. It’s true. Talking about a picture with someone is far more interesting than sitting and watching someone read a sentence. Which is boring. Even a very bad sketch, presented to a table of colleagues or clients, can make people laugh and so serve to lighten the mood. Even the worst sketches carry an emotional tinge. People love to see sketches. Even obstinate, ornery colleagues are drawn into the intent of the sketch, so much so that their minds begin filling in the blanks (without them realizing!) and so are drawn into what was supposed to happen with the drawing. The mind cannot help but fill in the blanks.

The best part of a dumb sketch is what happens when it is shown to a group. In a recent client meeting I pulled out my dumb sketches to make a particular point about how this product should be positioned in the market. I could not quite hear it, but I had the sense of a collective sigh around the conference table as they saw pictures rather than yet another wordy PowerPoint slide. In fact, contrary to the forced attention a wordy PowerPoint slide demands, my sketch pulled people in with a magnetism. Even though ugly, it still pulled. Amazing.
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Listentalk Chapter 3 Synopsis: Building Communities with Words
Words Can Accomplish Stuff Among Us
We spend ourselves in word-formation without giving it a second thought. Producing and delivering words is our daily task. Words are the currency of our social capital, and we cash them in on paper, orally and electronically. And yet even as we spend our words to persuade or motivate someone to action or even command (perhaps depending on the context of hierarchy to provide the whip missing from our voice), we sometimes bank up even more social capital. Words are the giving that keeps giving—sometimes for good. Sometimes for ill.
Our words can be deposits in a community-wide bank as we annotate a context that helps a group self-identify, clarify tasks and purposes and simply move forward. Our words can pinpoint the human condition in a way that names a common problem or promise and so frees others to tackle it. Our words often fly out in camouflage simply because they blend in so well with all the other words flying through the air.
The opportunity to let our words fly is changing on a monumental scale because of technology and because of new attitudes of who, what and how to hear from each other. The opportunity has opened a wide new vista for forming community. But this is no time to hold back. No. It is time to jump in.
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Write news based only on Facebook and Twitter?
In our “Writing for Community” class yesterday we discussed the difference between blogging and journalism. It’s getting harder draw a firm line between who is doing what, but the code of ethics about fact-finding and fact-checking remain key differentiators.
Stan Schroeder at Mashable offers the story of five French journalists who lock themselves in a farmhouse in France for five days and “write news based only on what they read in Twitter and Facebook.”
The success of their news gathering and sifting for facts will require great ingenuity. But I’m reminded of Thomas Merton, the Trappist Monk whose influential writings about current events were based largely on letters he received rather than rapt attention to media.
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Passion is the Preferred Communication Tool
Clay Shirky, writing in “Here Comes Everybody,” argues effectively that with the lower transaction costs for forming groups (caused by social media), there are more possibilities than ever to pull a group together for most any reason. Dan Pink wrote yesterday of a social media-driven mobile hair-cuttery he saw at Google headquarters. Whether your focus is major profits, minor prophets or mingling in Provence, there are all sorts of new opportunities for banding together around a passion. All it takes is strategic use of the tools freely available, plus the willingness to reach out.
I’m asking my Writing for Community class to brainstorm the contours of the opportunity before them as they seek to build communities. With a passionate leader encouraging group sharing, what sorts of things are possible? We’re already seeing examples every day, from the high-schooler who tried to get released from being grounded by amassing thousands of fans on her Facebook page (her parents remained unimpressed) to the seemingly spontaneous “I’m with Coco” protests.
Depth of passion may well be the limiting factor. Just what am I willing to do to make my point? How far out will I reach?
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