Archive for the ‘photography’ Category
Words Build Stuff Between Us
Words destroy stuff we’ve built
We all know this, don’t we? It’s perfectly obvious.
If words were money (words are definitely not money), we would be aware of our spending to inform or persuade or entertain. And just like people who make a hobby of “going shopping,” spending our word budget every day would be just another normal piece of everyday life for a U.S. citizen (or “consumer,” as business has renamed humans).
And that is actually how words work: We spend them.
With words we buy influence. We give some bit of knowledge or direction to someone else and win something in return. Some bit of psychic collateral. With words we buy context: we proclaim this or that in response to a situation at home or at work. Sometimes those around us agree with our context-setting assessment. Sometimes they don’t. Hint: if you want more people to agree with you, become the boss. Authority has a way of bringing believability with it, whether or not it is earned.
How we spend our words is worth thinking about. For many of us conversation seems instinctual. We say this in response to that. We inform, persuade, entertain with a joke. We do most of this without making conscious choices about our wordly-intentions.
But what if we did think of how we spend our words? What if we invested our words to accomplish some end? What if we invested our words with meaning—which is to say, what if we said things that were pulled from the well of what is important to us? That would make us vulnerable, of course. It would also be a platform for growth. Because when we say what is important, we learn something about ourselves and often a meaningful conversation can follow. The kind of conversation that has a chance of touching us deeply.
If you’ve not read Mistakes Were Made (But Not by Me), now is a good time. Tavris and Aronson have been referred to frequently as the Rolling Stone article on rape at the University of Virginia and news reader Brian Williams were found to have amped up their stories beyond anything resembling truth. Tavris and Aronson talk about cognitive dissonance and how we have such a hard time living with ourselves when our inconsistencies and personal malpractices appear—so we just change the story to coddle our precious psyches. The authors also demonstrate how memory gets built and rebuilt as we change stories:
Memories create our stories, but our stories also create our memories. Once we have a narrative, we shape our memories to fit into it.
–Carol Tavris and Elliot Aronson, Mistakes Were Made (But Not by Me), (Orlando: Harcourt, Inc, 2007) 77
I am advocating for conscious use of words, and for filling those words with stuff that is important to us—scary as that is. I see this as the opposite of small talk. I do, however, acknowledge that small talk is the precursor to big talk.
In my dream world, we use words to constantly build stuff between us rather than destroying relationships by purposely misunderstanding and showing we are better/righter/fitter/stronger/groovier.
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Image credit: Kirk Livingston
How to talk with someone who rarely finishes a….
You know what I mean
A: Are you one of those people who never finishes a….
B: Sentence? No.
A: Because sometimes I get near the end of a….
B: Sentence?
A: No. A thought. I just assume the other person, you, in this case already knows the word that comes….
B: Next?
A: Yeah. And I figure, “Why bother reaching for that last….”
B: Word?
A: Exactly. I’m just ready to move….
B: On?
A: No. Forward. I want to keep the conversation….
B: Going?
A: Well, more like moving forward. To some definitive….
B: End?
A: Some conclusion. Some well-developed notion. Something that has passed between us that we can agree with or….
B: Disagree with?
A: I’m just ready for the next ….
B: Big thing? Me too.
A: Yeah. I hate those people who go so painfully….
B: Slow?
A: Yeah. Those people who labor over every word, especially when you already know what they’ll….
B: Say?
A: Well, more what they are thinking. So you just sit waiting for the next….
B: Word? But you never really know how someone else will finish a….
A: [–]
A: Yes?
B: Sentence.
B: People can surprise you.
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Image credit: Kirk Livingston
“Thou Art a Cad, Sir.”
May You Have Interesting Colleagues
This is the time of year when people refer to that old Irish blessing (about the road rising up and so on). But here—stuck in the middle of the work week—I want to offer you a more contextual blessing: the people around you.
Well, maybe not everyone.
But often there is someone you come in contact with who is, well, delightful. Their sense of humor, the wacko things they say over the cubicle wall, the inappropriate things they do in department meetings. The fact that they will trim your hair in the back room when the director is out of the office or dump Vaseline in the bigshot’s duffle bag or instigate rebellion at the slightest provocation. [Am I sounding like a bad employee?]
In fact, it is typically the people around (the fun and interesting ones, anyway) who make work enjoyable.
Martin Buber made a point of differentiating between how we treat objects (“I-it”) versus the way we treat people (“I-thou”). One of his points was that we should never treat people as objects: ordering them about as if they had no will of their own. Instead we should engage with each other. That’s what humans do.
Of course that very object-treatment is one of the primary sins in many of our corporations, where people become known as “human capital.” Churches are not so different when they refer to congregants as “giving units.” Hey—we even take cues from our cultural bosses and call ourselves “consumers.” Our language makes no attempt to mask this object-laden perspective.
But no so with interesting colleagues, because of our connection with them. Because of conversations you’ve had with them (some even soul-baring), because you’ve talked shop and lamented death and rejoiced in birth together, you get to know each other as fully-human. Trust and connection fit in here. And the ability to say anything.
The ability to say anything and still be heard and respected, that is the fullness of connection with another Thou.
May the “Thous” rise up to meet you today and this week.
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Image credit: Kirk Livingston
How to step into a conversation. And when to step out.
Can presence and distance live in peace?
The philosopher, the writer, the journalist—and many others—work at cultivating distance in relationship even as they stand in the present.
Why do that?
The work of analysis, of illustrating via story and reportage all require distance for the facts to sort themselves. Just like the passage of time has a way of revealing what was important ten, twenty and two hundred years ago. Just like the artist learns to imagine a two-dimensional plane to begin to make marks with/on their media.
Distance starts to open a way forward by helping us see differently. Presence demands attention—that’s the human piece of empathy and mercy. Sometimes we need to slip from present to distant and back again. All the while avoiding absence.
My conversation with the hospice chaplain reminded me of the help a bit of distance brings to sufferers and those in grief. The person slightly distant brings a perspective the sufferer may need to hear, though that perspective may not be immediately welcome. Best if that slightly distant perspective comes wrapped in empathy and mercy.
But even at work we can cultivate a bit of distance for the sake of clarity. When the boss pontificates it doesn’t hurt to ask why she does so and what rhetorical goals her sermon serves.
And even at home we can mingle distance and presence: staying present with family (versus attaching to whatever screen or podcast holds our attention) is the first order of business. But we bring perspective when we step back.
We need presence and distance to move forward.
Absence rarely aids progress.
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Image credit: Kirk Livingston
What if everyone were as conscious as you?
We See Outside. We Guess at Inside.
This is also a leap of faith: To think the person in the crowd or the car next to you, or the cube next to you is experiencing life in much the same way you do.
The person in line at Dunn Bros, the person who shares your house or apartment. These people are thinking about all the experiences of life just as deeply as you are. These people are processing the latest first-century brutalities from the so-called Islamic State, they are responding to sunlight, to a spring breeze, to awkward comments and thinking about all sorts of things.
Just like you.
The difficulty with this line of thinking is that I mostly leave it at “idiot driver” without wondering what’s behind the tailgating. I see people acting and I judge them. Rarely do I follow a behavior back to wonder at what might be driving their driving. It simply doesn’t occur to me.
A recent talk with a hospice chaplain made me start to wonder at the complex reactions and consciousness in the people I meet. My friend was talking about how his goal is simply to be present at the bedside of the dying. Often a family can all be there. Sometimes there is only one or two. Sometimes he is alone with the person. What often happens is that he simply listens—because people need to talk. They may talk on and on about nothing, but the talking clears the air somehow. The talking makes way for…something. Even if the content is meaningless, it is still signifying something. If only, “I am still here.”
Not dead yet. Breath is the proof. And maybe a word–a window to inside–with those last exhalations.
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Image credit: Kirk Livingston
Walker Percy: Small disconnected facts have a way of becoming connected.
Cultivate a low-grade curiosity
Two years in the clink have taught me a thing or two.
I don’t have to be in a demonic hurry as I used to be.
I don’t have to plumb the depths of “modern man” as I used think I had to. Nor worry about “the human condition” and suchlike. My scale is smaller.
In prison I learned a certain detachment and cultivated a mild, low-grade curiosity. At one time I thought the world was going mad and that it was up to me to diagnose the madness and treat it. I became grandiose, even Faustian.
Prison does wonder for megalomania. Instead of striking pacts with the Devil to save the world—yes, I was nuts—I spent two years driving a tractor pulling a gang mower over sunny fairways and at night chatting with my fellow con men and watching reruns of Barnaby Jones.
Living a small life gave me leave to notice small things—like certain off-color spots in the St. Augustine grass which I correctly diagnosed as an early sign of chinch-bug infestation. Instead of saving the world, I saved the eighteen holes at Fort Pelham and felt surprisingly good about it.
Small disconnected facts, if you take note of them, have a way of becoming connected.
–Walker Percy, The Thanatos Syndrome (NY: Picador, 1987) 67
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Image credit: Kirk Livingston
Where Can I Buy a Fine-Art Mode?
The Beauty of Knowing Nothing
I don’t have a fine-tuning mode that tinkers with physical detail. I draw and it is mostly crude. I cut plywood and pine shelves and they are rough enough to make my craftsman-father scoff into his hand. I make dinner and it is mostly broad-stroke stuff that requires very little finessing. I will confess my popcorn is a work of art, combining yellow and white kernels, salted and buttered and mixed to a sensuous, savory smack of flavor. And I am learning how words interact on a page—though it is slow going.
How does someone get to the point of crafting from rough cuts to fine finished detail? It is possible that in this age of ordering clothes, pizza and romance from a button on our mobile devices, that some things still take time. Some things require beginning at the beginning. The question for each of us: do I have the courage to begin at the beginning? To know nothing for a time and do things badly?
The beauty about not having been taught drawing is that you are in a position of the acquirer: the process of figuring it out might take a while, and you will most likely continue to figure stuff out as you go, but that process is yours. There are no shortcuts and no tricks. Just the plain practice of drawing, screwing up, and drawing some more.
–France Belleville-Van Stone in Sketch! (NY: Watson-Guptill, 2014)
You cannot buy personal processes. Not really. You have to make them from scratch—those processes that help you make meaning in the world. And you have to begin at the beginning.
Mistake will be made.
You will make those mistakes.
And that’s OK.
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Image credit: Kirk Livingston










