Archive for the ‘Communication is about relationship’ Category
Let’s Talk: Will You Fly This Plane into a Mountain?
Listening-Rhetoric and Public Conversations Gone Private
To the casual news-reader, it’s looking more like the German copilot purposely flew into the side of a mountain. Given that, it’s not hard to imagine last week’s conversations between airline human resource vice-presidents and corporate lawyers:
- How do we screen for lethal depression?
- Let’s get serious about that two-people-in-the-cockpit rule.
- Is there an intention-detector we can employ before anyone—pilots included—steps into an airplane?
Intentions frame how we talk and how we listen. Wayne Booth posited that sometimes we come into a conversation with the intent to win—to bash our conversation partner into submission with whatever way we can. Sometimes we come with the intent to bargain, and so we are ready with a list of conciliations. Sometimes we come to listen and learn. Booth called that “listening-rhetoric” and recommended it as an antidote for stupidity, partisanship and as a way to “pursue truth behind our differences.”
People will speculate for a long time on the pilot’s intentions and actions—which we will never fully know. But as lawyers and HR talk I hope they will also examine the role of relationship-building conversation as an antidote to isolated suffering. Suffering that may become lethal.
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Dumb Sketch: Kirk Livingston
What does fresh hope sound like for cynical colleagues? (How to Talk #3)
A credible word spoken boldly
Constant cynicism is a downward spiral that saps energy, like the dome light on all night—little by little wasting energy for no reason. Eventually the car will not start. Have a conversation with a cynic and the world looks a shade or two darker.
Offering fresh hope to a cynical colleague is not about squatting at the other end of the emotional spectrum, babbling like a Pollyanna. That is quickly seen as fanciful.
No.
Fresh hope is a word of the moment that is credible and believable. A word about where we are going or what we are doing that becomes meaningful. If not meaningful right now, meaningful later. Fresh hope has a way of stopping the cynic, if only momentarily. But even the cynic finds herself meditating on a word spoken yesterday or the day before. The cynic happily shoots down the platitude, but his trigger-finger falters at a contextual insight from a conscious person processing a shared experience.
Fresh hope requires a bit of courage. Cynicism and general world-weariness is always in style.
But hope? Not so much.
But what’s the point of conversation if not to speak up boldly about what is important?
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Dumb sketch: Kirk Livingston
Seeing may be the trickiest part of drawing
Instinct and childhood definitions make poor interpreters of everyday life
Take this dumb sketch (Exhibit A). I made it while sitting in the lobby at the Children’s Theatre Company in Minneapolis. Those green trees? Utter fiction. Apart from a few pine trees, there is very little green in Minnesota right now. Green won’t even think about appearing for weeks.
Yet here we have green trees. I threw a dash of green there because trees are green. Except they weren’t green. They were brown. And scratchy and barren-looking. I commented to a drawing friend that my instinct said “green” from long use of my childhood definition of “tree.” And that slap of green was on before I even thought about it.
The gap between seeing and responding is the troublesome bit. If instinct drives my seeing, I miss pylons and electrical wires and gasoline tank farms and wireless telephone towers. All that industrial accretion I’ve seen one million times—all of it invisible. Even though it is really odd-looking stuff, jutting up into the sky at bizarre angles, like nothing in nature.
I don’t see people too: the clerk behind the counter. The janitor with the broom there, off to the side. I try to become practiced at not seeing the homeless man with his cardboard blessing at the end of the ramp. But that never works.
Mrs. Kirkistan and I volunteer at the Children’s Theater Company. It is simple duty: handing out programs. I was surprised this time by how invisible I became to children. Despite being squarely in their way so they must actively move around me to get into the theater. And when I verbally offer them a program, they twitch, suddenly surprised to see a human directly in front of them.
It’s not that I’m diminutive (I’m not). It’s because the entrance to the theater is awesome, like nothing a kid sees anywhere else. Walking through those double-doors into the dark red cavern with hundreds of seats stretching down and up into space and very strange objects akimbo on the stage—it’s hard for anyone to look away. All of that is purposeful on the part of the theater and adds to the experience.
It’s odd being invisible. And that makes me wonder how many people I miss in the course of ordinary life, simply because I have acted on instinct rather than actually believing the data from my eyes.
Instinct and childhood definitions are poor interpreters of everyday life.
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Dumb Sketch: Kirk Livingston
How to talk with someone who rarely finishes a….
You know what I mean
A: Are you one of those people who never finishes a….
B: Sentence? No.
A: Because sometimes I get near the end of a….
B: Sentence?
A: No. A thought. I just assume the other person, you, in this case already knows the word that comes….
B: Next?
A: Yeah. And I figure, “Why bother reaching for that last….”
B: Word?
A: Exactly. I’m just ready to move….
B: On?
A: No. Forward. I want to keep the conversation….
B: Going?
A: Well, more like moving forward. To some definitive….
B: End?
A: Some conclusion. Some well-developed notion. Something that has passed between us that we can agree with or….
B: Disagree with?
A: I’m just ready for the next ….
B: Big thing? Me too.
A: Yeah. I hate those people who go so painfully….
B: Slow?
A: Yeah. Those people who labor over every word, especially when you already know what they’ll….
B: Say?
A: Well, more what they are thinking. So you just sit waiting for the next….
B: Word? But you never really know how someone else will finish a….
A: [–]
A: Yes?
B: Sentence.
B: People can surprise you.
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Image credit: Kirk Livingston
“Thou Art a Cad, Sir.”
May You Have Interesting Colleagues
This is the time of year when people refer to that old Irish blessing (about the road rising up and so on). But here—stuck in the middle of the work week—I want to offer you a more contextual blessing: the people around you.
Well, maybe not everyone.
But often there is someone you come in contact with who is, well, delightful. Their sense of humor, the wacko things they say over the cubicle wall, the inappropriate things they do in department meetings. The fact that they will trim your hair in the back room when the director is out of the office or dump Vaseline in the bigshot’s duffle bag or instigate rebellion at the slightest provocation. [Am I sounding like a bad employee?]
In fact, it is typically the people around (the fun and interesting ones, anyway) who make work enjoyable.
Martin Buber made a point of differentiating between how we treat objects (“I-it”) versus the way we treat people (“I-thou”). One of his points was that we should never treat people as objects: ordering them about as if they had no will of their own. Instead we should engage with each other. That’s what humans do.
Of course that very object-treatment is one of the primary sins in many of our corporations, where people become known as “human capital.” Churches are not so different when they refer to congregants as “giving units.” Hey—we even take cues from our cultural bosses and call ourselves “consumers.” Our language makes no attempt to mask this object-laden perspective.
But no so with interesting colleagues, because of our connection with them. Because of conversations you’ve had with them (some even soul-baring), because you’ve talked shop and lamented death and rejoiced in birth together, you get to know each other as fully-human. Trust and connection fit in here. And the ability to say anything.
The ability to say anything and still be heard and respected, that is the fullness of connection with another Thou.
May the “Thous” rise up to meet you today and this week.
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Image credit: Kirk Livingston
How to step into a conversation. And when to step out.
Can presence and distance live in peace?
The philosopher, the writer, the journalist—and many others—work at cultivating distance in relationship even as they stand in the present.
Why do that?
The work of analysis, of illustrating via story and reportage all require distance for the facts to sort themselves. Just like the passage of time has a way of revealing what was important ten, twenty and two hundred years ago. Just like the artist learns to imagine a two-dimensional plane to begin to make marks with/on their media.
Distance starts to open a way forward by helping us see differently. Presence demands attention—that’s the human piece of empathy and mercy. Sometimes we need to slip from present to distant and back again. All the while avoiding absence.
My conversation with the hospice chaplain reminded me of the help a bit of distance brings to sufferers and those in grief. The person slightly distant brings a perspective the sufferer may need to hear, though that perspective may not be immediately welcome. Best if that slightly distant perspective comes wrapped in empathy and mercy.
But even at work we can cultivate a bit of distance for the sake of clarity. When the boss pontificates it doesn’t hurt to ask why she does so and what rhetorical goals her sermon serves.
And even at home we can mingle distance and presence: staying present with family (versus attaching to whatever screen or podcast holds our attention) is the first order of business. But we bring perspective when we step back.
We need presence and distance to move forward.
Absence rarely aids progress.
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Image credit: Kirk Livingston
3 Lessons I Learned Hanging With 70 Artists
See. Do. Share.
A group of artists in the Minneapolis-Saint Paul area gathers monthly to sketch. They call themselves MetroSketchers. These are talented people with facility for capturing life on a page. Yesterday I showed up to sketch alongside them at the Como Zoo in Saint Paul.
- Look To See. It’s easy to spot these sketchers in the crowds at Como. They are the ones balancing a sketchbook, and possibly watercolors or an arsenal of color pencils. They are the ones looking up and down and up and down at the very scene I dismissed with a quick glance. It’s the lingering look with an intent on capturing what they saw that was meaningful to me. Sketchers linger far longer than the causal passer-by. They must.
- Do It. Right now. That’s it—just get it on paper. Whatever you can. This is a lesson that carries over for me from writing. Do it badly, but just get one good stroke on the paper. One good mark among many bad marks. My great contribution to the day’s artistry was the Polar Bear Butt (the only animal who insisted on posing). Bad as it is, it is still a move toward representation.
- Share It. These uniformly talented people were also great encouragers. To a person they were all about what you saw and the marks you made in response. They found good stuff to say even when good stuff was pretty well hidden behind lots of not-good stuff. They also loved to talk about paper weight, the best inks to use, how small they can pack a watercolor kit and, “…here, let’s just walk through my sketchbook together.”
I spoke with many during the sketching and they were more than happy to show what they were doing, to describe how they were seeing and to talk about the difficulties in representation.
More than one sketcher expressed delight in what they were seeing—and if that is not a perfect reward for the interaction between drawing and seeing, then I don’t know what is.
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Image credit: Kirk Livingston
We’re Bigger Than This
Helping Colleagues See the Larger Story
Bad manners and ill-treatment make headlines in personal conversations at most of the companies I’ve worked for. Just like in our newspaper or aggregated news sources online. People often say they wish the newspaper published good news, but they would not read it if it did. Good news—things going right for a change—few have time or interest for that.
Naturally this is so: stories of the people around us always take top billing in our conversations. Family, colleagues, neighbors, we love hearing what each other did and we love to relate a story about someone else, especially if funny or it has some emotional content that will get a reaction. It is the emotional content, whether funny, sad or repugnant that we really want to get across to each other.
It is our way of connecting: we want to stir a reaction.
It takes a concerted effort not to talk about the people who are not there. Leaders see personal interactions as an opportunity to steer interest toward something larger. But that larger thing is not the mission statement produced by the top brass or Human Resource, which is typically a lifeless bit of plastic. The real stories, the ones that make leaders out of ordinary citizens, are those stories where something of the corporate or group mission has made its way into and through an ordinary life.
One boss related a conversation she had with a far-away department. The department director praised specific people on the team and told of specific details that helped their group move forward. When our boss told this to the team in casual conversation, people blossomed.
We need more connection with larger mission—even if it seems hoky at the time. And we need less stories about how bad/abnormal/demonic are the people not present.
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Image credit: Kirk Livingston











