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Posts Tagged ‘Cedar Cultural Center

A Stage for Prince and a Grave for Tiny Tim: What Music Says About Minneapolis/St. Paul

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Minnesota Theology of Place: Live Performance Matters in the Twin Cities


If one were rooting around trying to sort what values and practices make a place unique, music would be a good start. Jon Bream, music critic for the StarTribune recently wrote about why Minneapolis/St. Paul has become a home away from home for many rising musical stars. Bream cited four very different artists/bands (Dawes, Brandi Carlisle, Eric Hutchinson and JD McPherson) and noted how audience turn-out in the Twin Cities fuels these artists. Mr. Bream commented:

 The key factors are open-minded audiences who love live music; a variety of venues that help artists build a career, and support from radio and other media.

The Current, of course, is a vocal apologist for the new music that grows outside the mainstream (and often, eventually, moves mainstream). I would argue the Cedar Cultural Center has been doing that same good work for years and years. Then there are the high profile, historied venues like First Avenue that have helped audiences and artists form connections. There are many more, of course.

A few days back I wondered aloud what a theology of place might look like for Minnesota. I cited all sorts of influences that would speak to that question. WWFD-06092013-3-TightDeveloping a theology of place is to look at a community from a perspective unfamiliar to most of us. It is a perspective that begins with a commitment to belief in God and then wonders what God is doing in that place, among those people, through their history. It’s a deeply rooted sort of activity: digging down and back to find out who did what and asking what they thought when they did it. And then asking how what they did affected others. And also asking how their belief structure enabled the outcomes before us.

To be intensely local for a moment, what would a theology of place look like for the Twin Cities—just starting with music? Bream’s observation of how audiences love live music fits with the general interest in theater in the cities. Apart from the Guthrie, there are dozens of small theaters in the cities that are producing memorable performances.  Does a population that welcomes new music and new artists and helps support dozens of very small theaters mean we like the notion of “live performance” and see it as a way to connect with each other? Maybe we like to see our meaning made right before us—because we know that an audience is part of the meaning making.

Maybe the notion of a fondness for live performance accounts for the 20,000 people who showed up in St. Paul’s Lowertown last weekend for Northern Spark. And maybe our love for live performance accounts for the bike and craft beer cultures that are all about connecting (this year’s Artcrank pulled in an overflowing crowd).

Not that we’re unique in these things—but there’s something happening. As a curious person and one with belief in God, I cannot help but wonder what it means—even as I rejoice in the vibrant commitment to connection.


Orange Mighty Trio, Jesus Kitchen & Other Public Devotees

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What nourishes you?

exceeding cold Minnesota winter

Last weekend Mrs. Kirkistan and I were on our way to hear the Orange Mighty Trio at the Cedar (hoo boy were they good: listen to this sample). The folks of Jesus Kitchen offered us soup and cookies as we walked past their sidewalk encampment. The Jesus Kitchen looks to be a few college kids with the goal of reaching out to a populace that might find itself, well, drunk. Or homeless. Or just hungry. It’s a bold, cold, and uncomfortable mission (and part of something much larger).

I’ve seen them out late on exceeding-cold Minnesota winter nights. I applaud their very practical goals. Yes there are other more strategic ways to meet needs, but the statement they make by standing and beckoning others is warming. Their presence on that well-walked street—especially in the name of Jesus the Christ—is itself a mute and practical communication event.

The Cedar was a warm place with an enthusiastic crowd for the Orange Mighty Trio. And rightly so: their virtuoso performances spoke of all sorts of stuff that fits into words only lamely. Mrs. Kirkistan and I both commented on the productive thoughts we had during the concert. Listen to their “The Long Zoom” and pay attention to what comes to mind.

Both the Jesus Kitchen and the Orange Mighty Trio put the ineffable into action, if not exactly words. Both efforts have the capacity to nourish passers-by.

Which public does your devotion feed?


Image credit: The SalvageYard

Written by kirkistan

November 1, 2012 at 9:17 am

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